![]() He fantasised about creating a wall between the band and the audience and used this as a springboard to build a story brick by metaphorical brick. It got so bad that Waters spat in a fan’s face (perhaps he would have preferred the reverent atmosphere of one of our CAS listening sessions). Watch: Colleen and Nick Mason discuss Pink Floyd’s ‘The Dark Side of the Moon’īefore recording, Pink Floyd had just come off a huge stadium tour on which the Waters experienced a sense of loathing and contempt toward audience members who were ‘singing along’ and exhibiting unhinged behaviour. ![]() Like ‘Tommy’, ‘The Wall’ is a complete story with a beginning, middle and end (even if the finale alludes to the onset of a vicious cycle) and is a true rock opera that tells a tale of self-imposed alienation. However, these three albums were not concept albums in the sense of The Who’s ‘Tommy’ but rather albums based upon a specific theme. It holds together so well.’ – Roger WatersĪs a lyricist, Pink Floyd singer, bassist and conceptualist Roger Waters has never been one to shy away from weighty topics as he illustrated with his exploration of mental illness, mortality and the need for human empathy on ‘The Dark Side of the Moon’, his reflection upon the band’s emotional state after their stupendous success, the superficiality of the music biz and the loss of their former bandleader Syd Barrett on ‘Wish You Were Here’, and the socio-political ‘Animals’ which unleashed an unveiled attack on humankind’s corruption of power loosely based upon George Orwell’s ‘Animal Farm’. “I think ‘ The Wall’ is stupefyingly good.
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